Chronos Vital is a cross-disciplinary installation that explores the convergence of personal vitality and cosmic time. Central to the work is a single abstract visual—a still frame generated from the real-time spectrum analysis of a fellow MIFA artist’s heartbeat. This image was printed onto 8×10 transparency film and developed using the anthotype process, a 19th-century photographic technique that uses beet juice in place of traditional chemical emulsions. Exposed solely to sunlight, the resulting print captures the fragile temporality of life through organic materials and light.

This anthotype print is suspended beneath the heart of Chronos—the personification of time in ancient Greek mythology—within a mixed-media painting composed of acrylic on canvas, embedded paper, and wood. Chronos is rendered partially submerged in the symbolic “water of life,” invoking themes of fluidity, renewal, and cyclical transformation.

By placing the heartbeat-derived image beneath the deity’s chest, the installation forges a visual and conceptual link between the mortal and the eternal. The single pulse, preserved through pigment and sun, becomes a symbolic heart within a timeless body.

Through this synthesis of analog photography, digital media, and traditional painting techniques, Chronos Vital invites reflection on the impermanence of the present moment and the vast, mythic continuum in which it exists. It is both relic and rhythm—a meditation on our place within time’s boundless flow.

In 2022, I began a research project exploring artificial intelligence and spirituality by using a combination of AI intelligence and traditional art-making techniques.
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This investigation aims to explore the potential for transcendence within ourselves & the world around us venturing into territories delineating the future of human evolution.

See the process behind the making of Transcendence I.

“TRANSCENDENCE II”

“TRANSCENDENCE III”

“TRANSCENDENCE IV”

Work created by using a combination of AI intelligence and traditional art-making techniques to express the idea of transcending into greater forms of ourselves.

“STATE OF AFFAIRS”

PAST SERIES

“IDOLATRY”

to the false idols…

Gods that have nothing
Wandering, hovering
Capturing prayers never meant for deaf ears
Speaking they can’t
Mouths they wear… as accessories of deceit
Nothing more than laws with failures from sin

Apparitions.
Manifestations of our own creation;
realities built on calamities… all awaiting their turn
Spirit of the All-Mighty-No-Ones
True heirs to fortunes from worthless treasures

Wandering, Hovering, capturing lies…
myriad of imperfections.

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In this oeuvre, the artist identified visual characteristics of deities, figurine construction, usage of symbolism & highlighted some of the protests that surged from the unscrupulous measures taken by this organization to establish supreme dominion.

These notions are still relevant in the present day as we face constant ideological bombardment from various organizations that seek to keep the masses distracted whilst conducting their personal agendas. Many of us are still victims to “false idols” created in order to ensure that we place faith and credibility solely on wealth, consumerism, & status.

“THE JOURNEY”

writing on painting…

Vulnerable… apartada de toda noción familiar. Recibí la noticia y solo quería dormir por unos 100 años. La tristeza penetraba mis sentidos y mis fuerzas se reducían. Sentía como si la sangre de mi cuerpo se drenaba de mis venas y al entrar, el oxigeno… frío… punzante; mis entrañas padecían de miles de pequeñas pinchadas.

¡Son como agujas llenas de veneno! Sí, por cierto, lo estoy sintiendo. Es como si mi cuerpo lo rechazara mas sé que es muy tarde y estoy haciendo porras para que me consuma y yo perezca aun más rápido.

‘¡Llévame, llévame! ¡Ya no veo un paso al frente mío!'

Llévame y ayúdame a entrar en el olvido. Escapémonos a un mundo extraterrestre; tú y yo de la mano, desoladas pero juntas, envueltas en el dolor… pensando, recordando mejores tiempos en los cuales éramos desconocidas.
Una ‘nadie' llena de nada pero caminando con la certeza de que nadie me ve; de que nadie me escucha. De que mis gritos son silenciosos y mi libertad intacta… cubierta por el anonimato.

Tristeza, siempre te pienso como algo extranjero, como un sentimiento completamente prohibido de sentir. Un sentimiento que asusta; un sentir de perdedores.

De pronto soy yo la que pierde al no haber reconocido que la tristeza ha marcado… trazado mi camino y yo me he dispuesto a tomar cada uno de esos pasos. Es loco pensar que hoy quiero compartir mi “no existencia.”
Quiero que juntas nos ahoguemos mientras zumbamos una canción que habla de esperanza.

¡Agárrame muy fuerte de la mano! ¡No me dejes morir sola!
Mientras contemplo mi traspaso me doy cuenta:
‘¿Y después de esto, mi mente seguirá?
¿Y entonces, ahí qué? ¿Me toca continuar dándole vueltas a este concepto? ¿Tendré que pensar, analizar, llorar y lamentarme una y otra vez más?'
Solo de imaginarme esto, me canso…
now a continuous tiredness makes me wanna stop.

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In this series, the artist visually researches the search for a higher power - and portrays the effects of this quest in people’s mental, spiritual, sentimental, and social development.